Answering to History

Issue #3 of editor and cartoonist
Shing Yin Khor's "Blood Root" anthologies.

 In 2014, I created Jezinkas, a 17-page comics adaptation of a Bohemian folktale about witches who stole people's eyes.  It was in response to a call for intelligent horror stories to be included in Blood Root #3 by Sawdust Press.  Blood Root is a really great anthology and, though the print version is sold out, you can obtain a pay-what-you-want digital download of the book HERE. 

Jezinkas is my only fictional comic in print, to date.  It was fun story to build because I got to draw things like people turning into wolves, owls without eyes and other visually astonishing scenes that don't occur in my life naturally.  The best part, though, was that I didn't have to check and double-check facts, scour and question my memories or consider the impact of my work on people who might be effected by my telling of a real-life story.   

Illustrating Rock History 

Enter comics journalism.  I love the Pacific Northwest's rich music history. When nostalgia drove me to illustrate the building that once housed the OK Hotel, lovers of the now-defunct music venue urged me to draw more.  

Panel from the history comic
of Hollywood's Club Lingerie.

I began interviewing people connected to the OK and drew my first history comic.  It was terrifying because I didn't want to misrepresent anything.  Not all details can be verified.  People had different versions of the same night or notorious story.  I chose to frame episodes as either my own personal take or in the context of "this source said..."

It's how I came to comics.  I created two more venue histories - for Albuquerque's Dingo Bar and Hollywood's Club Lingerie - and now I'm working on an abbreviated comics history of a 4th venue for publication soon.  I haven't been able to reach everyone I wanted to vet, but I'm doing my best to be true to facts and the spirit of the club's history.

My Story Is. . .Well. . .My Story.

Autobiography may share nonfiction status with comics journalism, but I'm coming to it with a little more confidence.

I don't have to research the plot points, for one thing.

Panels from my comic
chronicling the history of the
Chicago Picasso

I will proceed very, very carefully in choosing how to frame where my life intersects with others, though.  And I will never adopt the voice of authority in reporting on historical moments.  There are tragedies in my life, for example, that effected A LOT of people, and everyone involved experienced those events in their own way.  Or, as anyone who has been through a break-up can attest, different people have different views on shared experiences. 

The best thing I know to do is present my story as my story - personally impactful, potentially flawed and ultimately vulnerable.  But I feel that the insights I have encountered are worth sharing, and the story has been pressing me to be told. 

Girl On The Road posts about comics, publication and community on Tuesdays.

The Hurt That Heals

Update #1:  

Thinking about my 2015/2016 in terms of John Porcellino's "The Hospital Suite" gives me hope I can turn this thing around, yet.

Update #2:

In a long late night conversation with Mark Campos, we came up with the idea mining the wound hard enough for the art might just retrieve the bullet and allow you to heal.  And maybe the bullet is diamond pointe and maybe the wound shines like glass on a ruby lake.  

At least it only took 'em 1 try
(as apposed to 8, yes 8!) to set the IV this time

This week's blog is going to be short and....sweet?  Not so much, as I've been spending more time in hospitals that outside of them over the last couple of months and last week was no exception.

Lets start out with some of the good parts.

OK! OK! OK HOTEL!

Artist Jeff Milhalyo and Royal Room
co-owner Tia Matthies.

I wrote last week about my much-anticipated enjoyment of the OK Hotel Family Reunion.

Seattle's Royal Room, whose owners also ran the OK Hotel from 1987 - 2001, is a great venue.  The shows were perfectly booked, well attended and I sold a lot of my little illustrated histories of the venue.

I also got to acquire some art as well, in the form of a limited edition vintage calendar from back in the day, produced by the lovely and talented and full-hearted Jeff Milhalyo.

I attended 3 out of 4 of the nights before I fell ill again and was back in the hospital on Monday, just getting discharged this morning.

The Hurt that Heals.  If it doesn't kill 'ya.

Debbe Penne, whose death on the crash of Alaska Flight 261
is part inspiration for "Girl On The Road"

Don't get me wrong.  Art can be this amazing, joyful, fun activity that is a celebration of all good things.  But a lot of what I work with is dark material--things that have hurt me physically and/or emotionally in the past.  The graphic novel that I've working on is created from several of these incidents, and digging far enough into them to make a comprehensive, cathartic yet funny and page-turning story means feeling a lot of that hurt again.  

I'm starting to realize that the work going into the art is bigger than the art itself, and I'm going to need a lot of support around it.  It means building up this concept of self-care, which was completely foreign to me until I nearly killed myself from lack there-of.  And, of course, enjoying my friends who are still here.  I have this lovely creative community.  I may possibly be misguided by the notion that if you use art to cut deep enough into the wound, it might just heal you--and done well enough, heal others as well.  I have no proof of this hypothesis, but I'm working on it.

OK OK! Seattle's OK Hotel Remembered in Comics.

 

 The OK Hotel

I would happily credit
this photo if I knew
who took it!

If you weren't in Seattle in the late 80s through the early oughts, or if you just weren't into live music, performance and poetry, than you probably missed out on the OK Hotel.

It had, in fact, been a hotel.  Mostly small rooms for transient laborers. Graffiti from the Wobblies still graced the back rooms.  But Steve Freeborn and Tia Mathies took over the building and made it a live music mecca, fine arts gallery and also a cafe.  The rooms above the first floor were rented out as studios.  It's like that day - dreaming you did in art school where you came up with everything wonderful that you would put in one place, only they did it!  From their first show in 1987 to closure due to earthquake in 2001, it was the most interesting place to see live music in Seattle.

There is so much to say about it, but you can read the comic.

The OK Hotel Comic

I was a shy member of the audience for music shows there early on, but an active member of the performance poetry community later.  I regularly attended the Seattle Poetry Slam, which was introduced to the city by David Meinert and Paul Grajnert at the OK.  

I left town from 2000 - 2005, so I missed the closing year of the OK Hotel.  Years later, my partner took me to see the Great Wheel on Seattle's waterfront and we got so close to the old OK that I had to go see it.  It's been converted to artists lofts with a small gallery, but no live music.  No cafe.  Kept the name but lost the life of it.

Couldn't help but take a photograph.  The wide-angle lens bent the edges of the scene, where I stood in-between the buildings and the (soon to be gone forever) Alaska Way Viaduct.  Then I drew it, posted it, and the response to that image was enough to inspire me to create a history of the venue.

The original OK Hotel Drawing
as the front cover of
Gone Girl Comics #1

I consider this comic my official entree into comics (It first published in 2013) and combines my love of live music, my work in poetry and my degree in fine arts.  I got to marry those interest in one 8-page comic, and I get to bring it to life again this weekend.

The OK Hotel Reunion

Stand-alone, special
edition of the OK Hotel
comic, in the works.

Steve and Tia may have lost the OK Hotel, but they opened a new venue in Columbia City - the Royal Room.  As 2016 marks the 15th - year anniversary of the closing of the OK Hotel and they are doing a reunion weekend, bringing back iconic bands from the 90's et al to perform at Royal Room from Thursday through Sunday night.

With help, I've been able to create a special edition of the OK Hotel comic.  It's been published previously here, on http://inktart.org/, and in a mini-comic, but I created a new cover for the story as a stand-alone special edition.

It's available onsite or via my paypal at m.noel.franklin.com

Push/Pull, What I Am Missing

I am a super huge fan of Push/Pull Gallery - who met their Kickstarter goal and moved to a larger space in Ballard.  They've played host to Exterminator City, a micro comic convention featuring over 20 local artist with their newest zines, books, posters, releases.

I've sold a ton of comics at Exterminator City, and I'm sad that this year's event is opposite of me tabling the OK Hotel Reunion show this weekend.  But that doesn't mean YOU can't go.  And you should. 

Until next week.

C-log posts on comics, publication and community that publishes on Tuesdays.

Serbian Anthologies, Stolen Art & Other Stories

The poster I designed for Seattle Busker Week. 
Check out their full schedule Here.

If you hadn't noticed, Gone Girl Comics has been....gone, for a late summer hiatus.

Much of is has had to do with the unusually sunny weather here in the Pacific Northwest coinciding with being given access to an honest-to-god log cabin to renovate in a huge forest on Whidbey Island.  This is amazing, because I am a below-poverty-level artist right now and the gift of a rugged but amazing place to escape to is beyond surreal.  I have spent weeks cleaning and repairing the cabin, and harvesting huckleberries and wild chanterelle mushrooms.  Which leads to extensive, long baking and cooking sessions.

Then there is paid work.  The poster for Seattle Busker Week was part of that, and--if you are in Seattle, you can see artwork in The Seattle Weekly and also attend the festivities.  Combine that with drawing on intense deadlines for comics anthology submissions, and my blog schedule got thrown off a bit.

Image of "Chicago Picasso" in the SKULPTURA? anthology.

But behold!  The submissions have been paying off!  Not only have I been accepted for publications in seven new projects this year, but some of them are actually in print now, including SKULPTURA?, a comics anthology centered on Sculpture that I wrote about last month HERE.  My story "Chicago Picasso" is in it.

I was just informed that only 300 books were printed, and they were distributed to attendees of the 16th Biennial of Art Pančevo in Serbia.  So, it looks like my one contributors copy is all I'll have...and I'm going to cherish it and guard it with my life.

This image, which launched my
comics career, was among
those in my missing portfolio.

Unfortunately, I should have had the thought "guard it with my life" stuck in my head much earlier, as I foolishly left one of my portfolios at a restaurant in Downtown Seattle after a client meeting.  Though I noticed it missing just a few minutes later, when I went back to the restaurant (Tulios) it was GONE.  I filed a police report and have been checking online, where people sell art...in it was the original first page of "Chicago Picasso" along with some work that was very dear to my heart.

I created a Facebook album for the stolen images.  You can view it HERE.  If anyone comes across something--my style is fairly recognizable--do let me know!  But I fear these are gone.  Live and learn.

RETURNING TO THE POSITIVE, I look forward to posting more about new creative pursuits and anthology publications.  The next publications to come out will be Indie Ladies Comics 2014 - Blush, as well as an illustration I did for Outre #4 and then Blood Root! 




C-log posts on comics, publication and community that publishes on Tuesdays.

Welcome to C-log!

Hello!

Welcome to C-log, the weekly Gone Girl Comics Blog by Noel Franklin.  I’ll be reporting from Seattle, WA every Tuesday about comics, art, the creative process, fellow cartoonists and the communities we weave.

June 25th marks the one-year anniversary of my first mini comic - Gone Girl Comics, Issue #1 - Some Seattle Stories.  While this was my first serious comics effort, I consider it a marriage of the years I spent jumping back and forth between visual and literary arts.  Bringing images and words together with the goal of making great comics felt RIGHT, and that's what I'll be doing from here on out.

By way of introduction, Gone Girl Comics is a self-published mini-comic that I plan to produce annually.  It contains comics short stories loosely based around a theme.  The first one, "Some Seattle Stories," was selected because of a drawing I created of the OK Hotel - a performance venue that featured prominently in my life in the mid-90s.  The initial drawing inspired me to complete a graphic history of the venue and also explore the incredible energy from that time in comics form.

I had only drawn less than 10 pages of comics prior to beginning Gone Girl Comics #1, so I stayed away from stories of substance - mostly.  I was afraid I wouldn't do them justice, as my skills aren't fully developed yet.  However, at the last minute, I created something of a tribute story for Joaquin Tavares, a Seattle musician who was murdered in 2006.  It's called "Seeing Stars," and you can view it here.


I've been busy since Gone Girl Comics' debut.  2014 will see my first print publications in newspapers, journals and anthologies.  The pending publications (which you can check out here on my website) are part of why I'm kicking off C-log.

I do plan on writing about much more than my own art and want to foster a creative dialogue, SO, feel free to post thoughts, questions and ideas in the comments section below. 

ALSO, hang in there with me as I learn the technology.  If there are glitches on the blog or on www.noelfranklin.com I will try to catch them and fix them as fast as I can.

See you next Tuesday!