Tuesday, April 12, 2016

Girl On The Road

Myself and Roberta Gregory
enjoying the awesome vibe at Hometown Heroes.
Starting this week, I'm going to be focusing a LOT MORE on the process for the creation of my graphic novel, Girl On The Road.  I did want to note a quick few things before I do.

What A Week

It started, for me, on Friday night with the first ever Hometown Heroes, a new Seattle event featuring independent Seattle comics creators.  I posted a ton of photos on the Hometown Heroes Facebook page, but here is one of me with pioneering female cartoonist Roberta Gregory.  The event was packed and really, really fun. 

Two handsome cartoonists,
Sarah Romano Diehl with Marc Palm at Comicon.

Sunday I tabled the I Heart Comics art table at Emerald City Comicon.  I waded through oceans of super fans in cosplay to share a space with fellow Seattle cartoonists Sarah Romano Diehl and Marc Palm.

Monday I dropped off two large illustrations I produced for the Science +/- Art show at Twilight Gallery.  The show officially opens this coming Thursday, and I'm excited - what a great last commitment to have before delving back into relative solitude to work on a book-length comics story.

My portraits of Jay Defeo and Eva Hess, depicted with their iconic
art works and the chemical symbol for one of the toxic mediums
they worked with that may have lead to their deaths.
They will be on display until the first week in May at Twilight Gallery.


Back Into The Fray 

Misfire!  My first stab at a first page for a
sample chapter of Girl On The Road.
I decided against it before completing it.
The work I've been doing for anthologies and gallery shows sometimes feels like a distraction from the real work I've cut out for myself.  I've been wondering if signing on for so many projects hasn't been a form of self-sabotage.  I'm not going to get any farther as a cartoonist, period, without completing a graphic novel.

However, I feel like I have been upgrading my drawing skills, and have been able to experiment with some stylistic choices that I wouldn't have if I were already working on a book-length narrative.  There's going to be a lot of visual choices to make moving forward, and I think (hope) that all of the projects I've put my shoulder into this past year will be informing those decisions.

I'm going to be spending the rest of these weeks reviewing the work I've already done - going back over the maps and timelines, the sample chapter scripts, and trying to set up a framework to move forward with.  The plan is to wake up Monday morning and treat the book like a full time job.  I'll keep you posted.



C-log posts on comics, publication and community that publishes on Tuesdays.

Tuesday, April 5, 2016

Grinding Up The Gears

Jezinkas!  My 18-page adaptation
of a Bohemian folk tale.
Now available on NoelFranklinArt Etsy.

Hello, Etsy!

So I've launched an Etsy shop.  Right now it only has a few mini comics on it, but I will be bulking it up with additional stories and lots of original arts in the coming two weeks.

You can find it here:  


Once upon a time I had a shop associated with my website.  And then I foolishly allowed my URL to lapse and it was purchased by some URL brokerage and is being held ransom.  

DO NOT DO AS I HAVE DONE.  I totally need to relaunch a website.  

Until then, come on over and check my Etsy out!

Also know that I am available for commissions, including portraits, album and poster art or....try me.   You can contact me with requests at m.noel.franklin@gmail.com

 

Hometown Heroes and ECCC

The location of Hometown Heroes.
Emerald City Comicon is happening literally right up the
street, where Pine Street runs into Interstate 5.

Quick reminder come check out Hometown Heroes, an awesome sounding new comics event where you can sample the art and minicomics of 30 local Seattle independent creators.

The event happens on Friday, April 8th from 6:30 to 11:00.  The location is 1927 Events, just down the street from Emerald City Comicon.

You can check out the details on the Hometown Heroes Facebook Page. 

If you are going to be in attendance at Comicon, you can find me at the I Heart Comic Art Table, Booth L13 in the Artist Alley.

You can find full details here.




A work by Aaron Morgan from

But What About Saturday?
Two Art Shows of Note.

You already know I'm a big fan of Push/Pull Gallery in the Ballard district of Seattle.

Well, they are having a fantastic art show of works inspired by Mikhail Bulgakov's brilliant book The Master and Margarita.  

The show will feature work by Seattle artists Corianna Garrels, Maxx Follis, Melissa McClintock, Aaron Morgan and Mark Campos.
 
The event runs from 6 -10 PM on Saturday April 9th.  Full details here.

But wait, there's more!

I would be remiss to not mention Fantagraphics Bookstore & Gallery's tribute to late Italian cartoonist Guido Crepax. The event features an exhibition of original art by contemporary American cartoonists including David Lasky, Peter Kuper, Benjamin Marra, Roberta Gregory, George Pratt, and Mark Wheatley, as well as reproductions from the Complete Crepax Volume 1. 

The opening on Saturday, April 9 from 6:00 to 9:00 PM includes film shorts by Brazilian artist Alex Korolkovas, a sound installation by Sérgio Rocha of Portugal, a limited edition Crepax companion publication, and other exclusive merchandise.

NEXT WEEK. . . Twilight Gallery!
Defeo's Deadly Rose.
One of two works I'll be exhibiting at
Science +/- Art show at Twilight Gallery.

I will have two works in the Science +/- Art show at Twilight Gallery.

Science+/-Art examines the interplay of art (empathy, creativity, subjectivity) and science (categorization, rules, objectivity).

The show opens April 14th from 6-9pm during the West Seattle Art Walk and runs through May 28th.

Featuring artists include myself, Marie Hausauer, Jody Joldersma, Satpreet Kahlon and Jess Rees.

I LOVE THIS SHOW!!! And it may be my last gallery show for a while.  So stop on by!
Until next week!


C-log posts on comics, publication and community that publishes on Tuesdays.
 




Tuesday, March 29, 2016

Rock Is Not Dead! Hometown Heroes Comes to Life!!


Rock Is Not Dead. 
The Anthology.  The Album!
Now available on pre-sale from 11th Dimension
Press at:  http://ow.ly/Z8nC5http://ow.ly/Z8nC5

Rock Is Not Dead

In a year where we have lost countless awesome musicians to the Grim Reaper, I am happy to be part of the anthology Rock is Not Dead.

The project is ambitious.  The anthology collects stories and comics inspired by Rock and Roll songs.  Simple enough, right?  But the publisher decided to pay for the rights to the music and are putting out a companion CD of cover versions for each song the stories are inspired by.

I collaborated with fellow cartoonist Mark Campos to create a story inspired by the Throwing Muses song, Not Too Soon.  The lovely and talented artist Cait Willis agreed to model for the story, which is entirely set in Seattle's historic Egyptian Theatre, and international recording artist Amy Denio recorded a spooky cover version of the song.

The comic is full color and features a full range of styles.  If you are a lover of music or comics, you want this!  It is available on presale through indiegogo here.


There's a new kid in Seatown!
Check out Hometown Heroes on Facebook or the World Wide Web.

Hometown Heroes, Launching 4/8/2016

Speaking of things that rock...there is a new comics event coming to Seattle this year.  It's called Hometown Heroes, happening Friday, April 8 at 6:30 to 11 PM.

That's right, those of you who just double-checked your Emerald City Comicon schedules.  Hometown Heroes is happening on the same weekend as the industry juggernaut known as Comicon.  But it's an event of an entirely different stripe.  It's free of charge, features only local independent comics creators and is low-pressure.  Founder Casey Silver describes it as a one-night local comics pop-up shop/art show.  Creators will be present, but free to roam as you pay for your awesome local finds at a check out station.

I'll be at Hometown Heroes, and I'm hoping A LOT of people come down to check it out and make the event a success.  NEVER FEAR Comicon attendees, Hometown Heroes is also just down the street from the Convention Center - at 1927 events near the corner of 3rd and Olive Way - so you can have your big comics cake and fulfill your minicomics cravings too.


I'll have free postcards for the Rock Is Not Dead
anthology at both Hometown Heroes, Fri 4/8
and Emerald City Comicon, Sun 4/10

Emerald City Comicon, 4/10

I will also be attending and tabling Emerald City Comicon on Sunday, April 10th as the winner of last year's I Heart Comic Art competition hosted by Ladykiller Promotions. 

You can find me there for sales and signings at the I Heart Comic Art table, located in the Artist Alley, Booth L:13.  I'll only be there on Sunday of the event, from 12:30 to 2:15 PM.

If you've already got passes, come by and say hello!  I don't have a lot of new work to sell - I've been drawing like crazy, but it's been for anthologies, art shows or on the graphic novel.  

HOWEVER, I will have a free postcard for the Rock Is Not Dead anthology to hand you, and a special edition of my Czech horror/folk tale, Jezinkas as well as Gone Girl Comics #1 and 2 will be for sale.

See ya there!


C-log posts on comics, publication and community that publishes on Tuesdays.



Monday, March 7, 2016

The Hurt That Heals

Update #1:  

Thinking about my 2015/2016 in terms of John Porcellino's "The Hospital Suite" gives me hope I can turn this thing around, yet.

Update #2:

In a long late night conversation with Mark Campos, we came up with the idea mining the wound hard enough for the art might just retrieve the bullet and allow you to heal.  And maybe the bullet is diamond pointe and maybe the wound shines like glass on a ruby lake.  

At least it only took 'em 1 try
(as apposed to 8, yes 8!) to set the IV this time



This week's blog is going to be short and....sweet?  Not so much, as I've been spending more time in hospitals that outside of them over the last couple of months and last week was no exception.

Lets start out with some of the good parts.



OK! OK! OK HOTEL!

Artist Jeff Milhalyo and Royal Room
co-owner Tia Matthies.
I wrote last week about my much-anticipated enjoyment of the OK Hotel Family Reunion.

Seattle's Royal Room, whose owners also ran the OK Hotel from 1987 - 2001, is a great venue.  The shows were perfectly booked, well attended and I sold a lot of my little illustrated histories of the venue.

I also got to acquire some art as well, in the form of a limited edition vintage calendar from back in the day, produced by the lovely and talented and full-hearted Jeff Milhalyo.

I attended 3 out of 4 of the nights before I fell ill again and was back in the hospital on Monday, just getting discharged this morning.

The Hurt that Heals.  If it doesn't kill 'ya.

Debbe Penne, whose death on the crash of Alaska Flight 261
is part inspiration for "Girl On The Road"


Don't get me wrong.  Art can be this amazing, joyful, fun activity that is a celebration of all good things.  But a lot of what I work with is dark material--things that have hurt me physically and/or emotionally in the past.  The graphic novel that I've working on is created from several of these incidents, and digging far enough into them to make a comprehensive, cathartic yet funny and page-turning story means feeling a lot of that hurt again.  


I'm starting to realize that the work going into the art is bigger than the art itself, and I'm going to need a lot of support around it.  It means building up this concept of self-care, which was completely foreign to me until I nearly killed myself from lack there-of.  And, of course, enjoying my friends who are still here.  I have this lovely creative community.  I may possibly be misguided by the notion that if you use art to cut deep enough into the wound, it might just heal you--and done well enough, heal others as well.  I have no proof of this hypothesis, but I'm working on it.

Tuesday, February 23, 2016

OK OK! Seattle's OK Hotel Remembered in Comics.

 

 The OK Hotel

I would happily credit
this photo if I knew
who took it!
If you weren't in Seattle in the late 80s through the early oughts, or if you just weren't into live music, performance and poetry, than you probably missed out on the OK Hotel.

It had, in fact, been a hotel.  Mostly small rooms for transient laborers. Graffiti from the Wobblies still graced the back rooms.  But Steve Freeborn and Tia Mathies took over the building and made it a live music mecca, fine arts gallery and also a cafe.  The rooms above the first floor were rented out as studios.  It's like that day - dreaming you did in art school where you came up with everything wonderful that you would put in one place, only they did it!  From their first show in 1987 to closure due to earthquake in 2001, it was the most interesting place to see live music in Seattle.

There is so much to say about it, but you can read the comic.

The OK Hotel Comic

I was a shy member of the audience for music shows there early on, but an active member of the performance poetry community later.  I regularly attended the Seattle Poetry Slam, which was introduced to the city by David Meinert and Paul Grajnert at the OK.  

I left town from 2000 - 2005, so I missed the closing year of the OK Hotel.  Years later, my partner took me to see the Great Wheel on Seattle's waterfront and we got so close to the old OK that I had to go see it.  It's been converted to artists lofts with a small gallery, but no live music.  No cafe.  Kept the name but lost the life of it.

Couldn't help but take a photograph.  The wide-angle lens bent the edges of the scene, where I stood in-between the buildings and the (soon to be gone forever) Alaska Way Viaduct.  Then I drew it, posted it, and the response to that image was enough to inspire me to create a history of the venue.
The original OK Hotel Drawing
as the front cover of
Gone Girl Comics #1


I consider this comic my official entree into comics (It first published in 2013) and combines my love of live music, my work in poetry and my degree in fine arts.  I got to marry those interest in one 8-page comic, and I get to bring it to life again this weekend.

The OK Hotel Reunion

Stand-alone, special
edition of the OK Hotel
comic, in the works.
Steve and Tia may have lost the OK Hotel, but they opened a new venue in Columbia City - the Royal Room.  As 2016 marks the 15th - year anniversary of the closing of the OK Hotel and they are doing a reunion weekend, bringing back iconic bands from the 90's et al to perform at Royal Room from Thursday through Sunday night.

With help, I've been able to create a special edition of the OK Hotel comic.  It's been published previously here, on http://inktart.org/, and in a mini-comic, but I created a new cover for the story as a stand-alone special edition.

It's available onsite or via my paypal at m.noel.franklin.com

Push/Pull, What I Am Missing

I am a super huge fan of Push/Pull Gallery - who met their Kickstarter goal and moved to a larger space in Ballard.  They've played host to Exterminator City, a micro comic convention featuring over 20 local artist with their newest zines, books, posters, releases.

I've sold a ton of comics at Exterminator City, and I'm sad that this year's event is opposite of me tabling the OK Hotel Reunion show this weekend.  But that doesn't mean YOU can't go.  And you should. 

Until next week.



C-log posts on comics, publication and community that publishes on Tuesdays.




Tuesday, February 16, 2016

The Grants Game Part 2

Gone Girl Comics has moved!  And will also be sunsetting the name "Gone Girl Comics" pretty soon here.  HOWEVER, things are kicking up in 2016.


FUNDED!  Office of Arts & Culture, Seattle - City Artist Project Grants 2016

I'm happy to report that my graphic novel has been selected as one of the 30 projects funded by the Office of Arts & Culture, Seattle for 2016.

This is the second grant the project has garnered, after the 4Culture Art Project award.  I was very nearly certain the proposal would not be funded, because the application requires you to select either literary or visual arts, yet comics incorporate both.  In the spirit of "Don't Ask, Don't Get," I went forward with the application.  You can learn more about the Office of Arts & Culture, Seattle here.

Both grants support the creation of the full script plus sample chapters and require a public presentation, so I've got A LOT of work to do.  It will be worth it, though, because I should have what I need to shop the book to an agent or publishing house when I am through.  

Awesome women's comics inside!

The Anthology Game Part 3

I had a fair amount of anthology inclusion in 2014 & 2015.  The highlight for me, hands down, was being included in The Strumpet, Issue #4, "The Friendship Issue."

The Strumpet is an anthology of quality comics by women only, and it publishes in both London and New York!  Issue #4 "is all about lady friends -- from best friends forever to friend with a question mark. [It] explores the highs, the lows, the joys, the sorrows, the awesomeness and the awkwardness of female friendship."

Many of the stories in this issue rocked my world, including one by Casandra Grullon that made me cry.  You can read more about The Strumpet here, and you can buy the current and back issues at Editor Ellen Lidner's Etsy shop here.  

I also have a comic in the most recent issue of multi-medium literary magazine Raven Chronicles as well as Connections, a comics anthology to benefit the American Foundation for Suicide Prevention.

Moving forward, I have a 3-party collaboration with Seattle Cartoonist Mark Campos and Seattle Musician Amy Denio, to be featured in the pending 11th Dimension Press' "Rock is Not Dead" anthology with accompanying music CD.  Mark conceptualized the story based on the Throwing Muses song "Not Too Soon" and Amy Denio recorded a cover of the song and had Mark and I play "trash percussion" utilizing only a wash basin and mallets. 

Detail from "Not Too Soon."
Gone Girl Comics with Mark Campos and Amy Denio.
Starting the sample chapters of my graphic novel leaves little room to work on other independent project, unfortunately, but I AM collaborating with writer Anne Bean on her story "Coyote and Butterfly Woman."

The story is a modernized version of a tradition Nez Pierce story, and I get to have fun drawing anthropomorphic characters.  Anne has also joined into the grants game, and this comic collaboration is made possible in part by an Artist Trust GAP grant she secured.

Next Week:  Tabling In Honor of a beloved Seattle institution, The OK Hotel.

 

C-log posts on comics, publication and community that publishes on Tuesdays.

Tuesday, August 18, 2015

DUNE & Ex City Part 2 + INTRUDER

Covers from four of the month DUNE compilations.
I'll add artist names as I learn them.
I only know one now.  ;)


DUNE Revisited 

 

Last week I wrote about DUNE, a collaborative comics event that happens every third Tuesday at Cafe Racer at 5828 Roosevelt Way NE, Seattle. 

Deep irony:  It is occurring as I type.
  But I did not go for, well, reasons. (Read Down) 

I did want to follow up on last week's post.  Cafe Racer has long fostered creative communities, and hosted a comics hang-out called Friends of the Nib (hosted by revered cartoonist Jim Woodring) and Bureau of Drawers.  I was too new to the scene to know the difference, I didn't even know how important an artist Jim Woodring was at the time.  I just showed up and made some drawings.  But both folded and morphed in succession and then I  stayed home to draw after that.

There's another story here, one that includes a shooting at Cafe Racer.  I am so sad for those we lost, and so grateful we didn't lose more.

After that, some 33 or so months ago, Cartoonist Max Clotfelter started up DUNE.  You show up, you draw a page (or two), you leave your coveted originals with Max along with $3 and leave.  Next month, you show up again, and you get your coveted originals back along with a minicomic compilation of everyone drawing in the building at the same time as you.

DUNE is pure art.
  BECAUSE no extras are run to be sold--only enough compilations of the drawings from last week to give back one publication for each--there is no commodification of your work.  It's just the joy of comics.  Pure and simple.

I don't make it out to DUNE more than once in three months.  Partially because I work solo, A LOT. 

Yes I was the first person down the fire escape
in my pajamas.  Why do you ask?

Today I am working on literally six projects, and also my apartment building caught on fire, no joke.

However, I do make it to DUNE, because I get to say hello to amazing people and take home an entire community in a saddle-stitched zine.

I asked Max a few questions to illuminate his process, and here are the responses:


Gone Girl Comics:  Why did you start DUNE?
 
Max Clotfelter:  I was part of this local anthology (INTRUDER) where participation had to remain pretty exclusive just because of the logistics of deadlines and the high cost of printing. It was just too hard to invite everyone we wanted to participate. We were also meeting lots of new local comics folks who wanted to get involved with a group project. So I tried to think of the easiest way to make an open invitation anthology project and DUNE grew from there.



Gone Girl Comics: Why do you run DUNE the way you do, with copies just for participants?

Max Clotfelter: It's all about keeping it as simple as possible. Everyone has to finish their page in one night at the Café, just so I don't have to deal with a bunch of emails from people sending me stuff later on. The minute the clock strikes 11pm the contents are finished and all I have to do then is take it down to the copy shop and make the book. Also, I only make one copy per participant because it keeps the cost down and doesn't leave any room for the debate over what to do with the extra copies. Anyone who wants a copy is more than welcome to participate no matter how well they can draw!



Gone Girl Comics:  What do you think it does for Seattle comics?

Max Clotfelter: Hopefully it gives people a place to hang out and meet each other. It's also fun for me to sit down and force myself to draw a comic page in 4 hours. I love it when people collect their pages into their own mini comics. I also hope it inspires similar kinds of events around town."
INTRUDER poster art by Seth Goodkind.
Seth is also the curator of
Exterminator City
and
worked on EXTRUDER
a comics compilation of INTRUDER artists.





I, (GGC) myself, would like to add that this seems replicatable in the same way that Slam Poetry grew up in Chicago and was dispersed to become a National phenomena.  Could be good.  But remember to honor the founder, as slam should still honor Marc "Slampapi" Smith.  More about DUNE here.

INTRUDER

 

Speaking of Marcs, Marc J. Palm is the founder a INTRUDER, a free Seattle-based comics newspaper.
In this corner of Seattle comics, Intruder bridges the DUNE comics night, many of the artists that work with Push/Pull Gallery as well as the comics tabling event Exterminator City.  When asked, he referred me to the website, http://intrudercomics.com/  


"INTRUDER is a free, quarterly, co-op, comics newspaper that started in March of 2012 consisting of 16+ Seattle based, darkly comedic cartoonists. Subscribe to get yours $12 for 4 issues! (cheap) paypal - swellzombie@hotmail.com"

He then added: Intruder was started because there was nothing like it in Seattle at the time and we felt like comics were still important here.

Here here.


Exterminator City, Saturday!
Poster art by Bunny Lee.

Exterminator City #4

Did I mention that Exterminator City, one of the nations only neighborhood comics events, is happening this weekend, Saturday August 22nd, at Push/Pull Gallery?  (8537 Greenwood Ave N, underground in the Greenwood Collective, to be exact.)

Did I mention there were not one but two awesome shows related to both comics arts and twin peaks on the walls?

Did I mention that INTRUDER will be there, with free comics as well as their compilation, EXTRUDER?

Did I mention I've spent 3 nights in a row staring into the abyss of my own ghosts to come up with a new poetry chapbook in addition to the comics I'll have for sale?  (Gone Girl Comics #1, #2, Jezinkas and the poetry chapbook:  The Essentialist.)

It includes 25 poems--half of which have been published before and half of which have just hung out in secret, waiting to see the light of day.  No comics in this one, but half of the reason why I stayed home tonight was to draw a kick-ass cover.

So, come see me Saturday at Exterminator City, 11 - 4, Saturday August 22nd.

Until next week (When it's all about me, really.  I have been working on the graphic novel.)

C-log posts on comics, publication and community on Tuesdays.