Night of the Crow

 

Quoth the raven...

I have friends who call me a synchronicity vortex.  My life is riddled with strange coincidences and deep irony.  It's why I say I'm spiritual but not religious.  I've seen too many things come together at once to know that more than human consciousness is at work in this world.

This week, I've been finishing a 4-page comic called "Night of the Crow."  It's a surrealistic bit of  autobiography from my life as a painter, after completing an exhibit of giant crow paintings at the Balazo Gallery on Mission Street in San Francisco.  The show got great reviews, my house mate installed the paintings in our space when I returned, and then things started to get strange.

Me and my housie, circa 2004

A Sacramento Side Story

One of the hardest things about putting together my graphic novel, Girl On The Road, is that there is no way to include everything that happened in the time frame that the story spans.  Paranormal crow activity may be interesting, but I think including this incident would take away from the story arc and make for a disjointed reader experience.  Sacramento is a featured location, but the events from Night of the Crow are probably not going to make it into the Girl On The Road script.

That is why I am super-psyched that I'll be able to tell the story in a different venue.  The anthology it will be published in doesn't go to print until 2017, so it will be really fun to file it away and forget about it.  When I finally see it in book format it will feel like a Christmas present.

Some nights are like that.

Home Schooling

My main reason for finishing Night of the Crow this week is that I wanted to

learn from executing the story.  I need more practice with both character development and the human figure.  I also have to get used to drawing myself, over and over and over again.  Just doing four pages of self portraits made me feel like a narcissist.  200 pages will take some getting used too.

So, Night of the Crow.  It was not directly working on the graphic novel, but I feel more confident returning to the big project having test-run some new techniques in a tiny story.

One More Awesome Side Project

I'll be working on one more awesome side project - a collaboration with comics writer Anne Bean.  She is one of the people who has already received an Artist Trust grant to build a suite of new comics with a different illustrator taking on each story.  We're creating a full-length minicomic adaptation of the Nez Perce story of Coyote and Butterfly Woman.  I'm VERY excited to work with Native themes and anthropomorphic imagery.  The story is under production and scheduled to be premiered at Seattle's Short Run Comix & Arts Festival. 

Short Run Is Accepting Applications

The Short Run Comix & Arts Festival is now accepting exhibitors applications, by the way.  Check it out.

Girl On The Road posts about comics, publication and community on Tuesdays.